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A young Buenos Aires mother finds employment as a sex worker and struggles to live under the same laws that are supposed to protect her.

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Join the party with Peppa and George in their brand new adventures as they dance in the mud at a children's festival, celebrate Grandpa Pig's birthday at a restaurant for the first time, and take a trip to the cinema to see Super Potato's big movie feature.

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Some of the best music ever written... and it was never made available to the public. Composed and recorded for use in film, television broadcasts and advertising, and covering every genre, instrument and atmosphere, library music was an an off-the-shelf option cheaper than commissioning a composer to score a soundtrack.

In its golden era from the late 1960s to the mid-1980s, thousands of albums were created by the world's greatest composers using full orchestras in the best recording studios, with the best engineers and recording equipment. Only available on vinyl and only given to industry professionals, library music albums had tiny production runs; sometimes only 200 copies were pressed, and most were destroyed in the 1990s. Despite its rarity, this music now has a loyal and growing following of DJs, tastemakers, record producers, beatmakers, journalists and vinyl enthusiasts, and library music tracks have been sampled to form the backbone of some of the biggest chart-topping singles by contemporary artists.

In a documentary fronted by record producer, composer and enthusiast Shawn Lee, The Library Music Film takes viewers from London across Europe and to California in search of some of library music's pioneers, including Alan Hawkshaw, Keith Mansfield, John Cameron, Barbara Moore, Janko Nilovic, Brian Bennett and Stefano Torossi. And in interviews with DJs and producers including Mark Rae and Fatboy Slim, US hip hop stars such as Cut Chemist (Jurassic 5) and Young Einstein (Ugly Duckling), and Marvels soundtrack composer Adrian Younge, we hear why library music continues to play an important role in today's music industry.

In its pursuit of a fascinating parallel universe to the record industry we think we know, The Library Music Film serves up musical innovators past and present, hidden sonic treasures and a lot of laughter along the way.

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Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating.

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Michael lives and travels in a horsedrawn wagon. As the film begins, we find him preparing to cross the channel into France following a whim to swim his horse in the Mediterranean, then turning back six months later to buy a pair of boots at a horse fair in the Cotswolds. As Michael himself says, he spends his entire life travelling, without ever leaving home.

Filmmaker Ian Nesbitt spends a calendar year visiting him periodically on his version of pilgrimage. The result is a sparing road movie tracing Michael's transient and timeless existence on the peripheries of modern life.

Acts of Quiet Resistance is a documentary steeped in the slow cinema tradition. Five years in the making, it continues a thread in Ian's work of collaboratively made films, blurring the line between subject and filmmaker.