Laces tells the story of a complicated relationship between an aging father and his special-needs son, whom he abandoned while he was still a young boy. Reuben's (60) kidney's are failing and his son Gadi (35), wants to donate one of his own kidney's to help save his father's life. However, the transplant committee objects to the procedure claiming that Rueben, acting as Gadi's sole legal guardian, does not have the right to authorize such an invasive procedure. Gadi, who recently lost his mother, is afraid of losing his father as well. He feels he finally has the chance to do something meaningful; to become a man and stand on his own. He's furious with the committee's decision and sets out to fight for his right to save his father's life. Through the film's portrayal of a relationship full of love, rejection and co-dependency, it manages to shed some light and question the importance of human life, human connection and if life is even possible without it either one of them.
In her directorial debut, Mary Jirmanus Saba deals with a forgotten revolution, saving from oblivion bloodily suppressed strikes at Lebanese tobacco and chocolate factories. These events from the 1970s, which held the promise of a popular revolution and, with it, of women's emancipation were erased from collective memory by the country's civil wars. Rich in archival footage from Lebanon's militant cinema tradition, the film reconstructs the spirit of that revolt, asking of the past how we might transform the present.
Witness the new generation going back to the period of Cultural Revolution, and think about the change of human nature and show the impact of Cultural Revolution on the modern China.
For most of us, the cyclists at the back of the race are simply the losers. They are called water carriers, domestics, gregarios, and the Sancho Panzas of professional cycling. Moreover, they rarely experience personal victories - these sportsmen sacrifice their careers to help their teammates. We follow the magnificent world of the cycle race from the point of view of the doctors' team situated in a claustrophobically small medical car surrounded by wounded cyclists. The life of the medical team in the race reminds one of the front line of war. Cyclists crash, they rise and they race again, and amongst this chaos, many magnificent things happen. This film-odyssey reveals the untold world of the wonderful losers, the true warriors, the knights and monks of professional cycling.