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A newspaper reporter is working on an investigative piece regarding an unsolved mystery dating back thirty years. there was gangsterism and extortion at play. As part of his work the man comes across a riddle of a cassette tape. Alsmost at the same time a man in Kyoto comes across a cassette among his father's belongings. He hears himself. -aghaemi.

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How the protagonist, a social fighter in the film, will be fighting the crimes against women.

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In the vast expanse of desert East of Atlas Mountains in Morocco, seasonal rain and snow once supported livestock, but now the drought seems to never end. Hardly a blade of grass can be seen, and families travel miles on foot to get water from a muddy hole in the ground. Yet the children willingly ride donkeys and bicycles or walk for miles across rocks to a "school of hope" built of clay. Following both the students and the teachers in the Oulad Boukais Tribe's community school for over three years, School of Hope shows students Mohamed, Miloud, Fatima, and their classmates, responding with childish glee to the school's altruistic young teacher, Mohamed. Each child faces individual obstacles - supporting their aging parents; avoiding restrictions from relatives based on traditional gender roles - while their young teacher makes do in a house with no electricity or water.

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Hayami Teruya is a dedicated salaryman who does a workman like job as the chief editor for a magazine. He has personal charm, get along with both the publisher and subordinates and runs the ship well. Chatting with his direct boss he picks up a certain vibe. Did he misunderstand that the magazine is doomed and will be terminated? If so, he is not going down without a fight. He will fight to make it through and keep his, and the others', jobs.

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In 1973, after leaving her boyfriend Massimiliano at the altar in Rome, María decides to make a new start taking a return flight to Spain. An orphan without family, money, or resources, at her arrival to the Aiport of Barajas in the City of Madrid, María meets Amparo, a funny, loudmouthed, vivacious, free-spirited woman who works as a flight attendant. Three months later María is living with Amparo, also working as a flight attendant in Barajas, when she meets again Pablo, now looking for a lost suitcase. After he gives her his work address, the suitcase is found and María takes it to return to Pablo, surprised to learn that he works in TVE (Televisión Española, a Spanish TV channel back then). There she meets Chimo, a womanizing producer determined to turn María into a star as one of the dancers in the famous late show "Las Noches de Rosa." Returning to her work at the airport, at the last moment she meets Pablo and gives him his suitcase and her phone number, which leads to a double date with Amparo and Lucas. When Chimo locates María, he convinces her to participate in the show. However, troubles appear by three: Rosa mistrusts María and places her as a possible substitute in case one of the other dancers is absent, and Pablo's father Celedonio is TVE's censor, an old-fashioned man stuck in the early days of Franco's dictatorship, who rejects any kind of modernity and freedom in TV and who wants to fire Chimo. Unfamiliar with the Francoist Regime and its repressive laws, María tries to adjust to it, although she thinks it's outdated. Then Massimiliano appears in Madrid looking for María, trying to win her back. While Amparo's relationship with Lucas sours, María's dream of making her first appearance on TV is shattered after seeing she's been considerably censored. Taking revenge on Pablo after knowing about his relationship with María, Chimo shows her the censor's office, where she discovers that Pablo is Celedonio's son and will be the new censor when his father retires-but it was Pablo himself who actually censored her, on his father's advice. With their relationship in danger, Massimiliano finds and reunites with María, who feels confused about her feelings for Pablo. At the same time, Celedonio forces TVE's staff to choose his son as new censor, betraying Pablo when Celedonio imposes the condition to continue working as a counselor for his son. With the incoming New Year's Eve Special, which will also be the first Special to be broadcast live, María and Pablo are trapped at crossroads: he's between following his father's way or his own; she weighs going back to Rome with Massimiliano against following her dreams of dance and freedom.