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Fed up with the lack of critical appreciation despite being a successful writer, Abhimanyu Roy returns to his roots in Kolkata to write more meaningful literature and decides on an old-fashioned love story - which was now, 3 years in the making. This writer's block is called Bindu. How do you contain this unpredictable, crazy, restless, larger than life, live wire in the pages of a book? As Abhi says ''You know when a song comes on and you just have to dance? Bindu was that song. That silly infectious joyful tune you couldn't get out of your head - even if you wanted to." So where should he begin? Where should he end? But when Abhi stumbles across an old audio cassette of their favourite playlist, it sends Abhi down memory lane - and as he waltzes in and out of his past and present through the songs in the mixed tape, he finally faces reality and reconnects with his roots, with his family and his novel starts writing itself. Of course, life in its usual scheming manner surprises him yet again and changes the ending of his book and his life, as he once again finds himself being pulled back into the centre of that crazy little thing called love. He realises, that love, is neither time- nor place-dependent. - All we need is the right person next to us and of course the right soundtrack.

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Once upon a time, there was a Bihari boy called Madhav. He fell in love with a girl from Delhi called Riya. Madhav didn't speak English well. Riya did. Madhav wanted a relationship. Riya didn't. Riya just wanted friendship. Madhav didn't. Riya suggested a compromise. She agreed to be his half girlfriend.

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Director Rahul Jain presents an intimate, observantly portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India. Moving through the corridors and bowels of the enormous and disorientating structure, the camera takes the viewer on a journey to a place of dehumanising physical labor and intense hardship, provoking cause for thought about persistent pre-industrial working conditions and the huge divide between first world and developing countries. Since the 1960s the area of Sachin in western India has undergone unprecedented, unregulated industrialisation, exemplified in its numerous textile factories. Machines portraits only one of these factories, while at the same time representing the thousands of labourers working, living and suffering in an environment they can't escape without unity. With strong visual language, memorable images and carefully selected interviews of the workers themselves, Jain tells a story of inequality and oppression, humans and machines.

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In 2017, Shiv and Saira fall for each other and form an inseparable connection. Until, Saira crosses paths with a reincarnated lover from a previous lifetime who is determined to make her his lover again.

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In a small picturesque town in North India, Laxman lives with his younger brother Bharat. The two have no other family and are inseparable. Laxman's world comes crashing down, when war breaks out and Bharat gets drafted into the Army. A helpless Bharat leaves a devastated Laxman behind. News from the border only worsens, as the tension continues to escalate. Seeing the carnage around him and worried for his brother, Laxman decides he must stop this conflict and get his brother back.