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To some, the ocean is a fearsome and dangerous place. But to others, it's a limitless world of fun, freedom and opportunity where life can be lived to the full. Fishpeople tells the stories of a unique cast of characters who have dedicated their lives to the sea. From surfers and spearfishers to a long-distance swimmer, a former coal miner and a group of at-risk kids on the streets of San Francisco, it's a film about the transformative effects of time spent in the ocean-and leaving behind our limitations to find deeper meaning in the saltwater wilderness that lies just beyond the shore.

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Ricardo Piglia, one of the great narrators of Hispanic language, returns to Argentina after many years of living abroad. It is proposed to review exhaustively, for the first time, the 327 notebooks that constitute his private diary.

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With the commercial exploitation of the American colonies, thousands of Africans are brought to Seville to be sold as slaves. Some are exported to the colonies and others stay in the city. The latter form part of a population of Afro-Andalusians, who over time manage to gain space in a society wrought with racial prejudices, whilst dealing with their situation as slaves. Music and dance will be part of their expression and the most important affirmation of their identity. From the outskirts of cities like Seville and Cadiz they give shape to the popular music of the time, together with other marginalised communities such as the gypsies, moors and Andalusians on the cities' peripheries. From the XIX century, the black population begins to disappear, partly being assimilated into parts of the community like that of the gypsies. In this same century we start to hear about a new type of music: Flamenco. Since its beginning theorists who have spoken about this art form have completely forgotten the fundamental contribution the Afro-Andalusians made to it.

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Theatre director Pippo Delbono visits a centre where refugees come to seek asylum. He shares their everyday lives, between painful memories and an uncertain future. Slowly but surely, the refugees open up to Pippo, telling him their stories. A relationship of trust emerges and gives Pippo the idea to bring them to the stage in a Gospel. Thus fulfilling a promise he made to his mother before she died.

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Moos' life is all about taking care of her father. When her old friend Sam comes along, he encourages her to start a life of her own, chasing her dreams.