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A couple from Chandni Chowk aspire to give their daughter the best education and thus be a part of and accepted by the elite of Delhi.

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Director Rahul Jain presents an intimate, observantly portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India. Moving through the corridors and bowels of the enormous and disorientating structure, the camera takes the viewer on a journey to a place of dehumanising physical labor and intense hardship, provoking cause for thought about persistent pre-industrial working conditions and the huge divide between first world and developing countries. Since the 1960s the area of Sachin in western India has undergone unprecedented, unregulated industrialisation, exemplified in its numerous textile factories. Machines portraits only one of these factories, while at the same time representing the thousands of labourers working, living and suffering in an environment they can't escape without unity. With strong visual language, memorable images and carefully selected interviews of the workers themselves, Jain tells a story of inequality and oppression, humans and machines.

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Siblings Natasha and Kabir Merchant investigate an allegedly haunted mirror in their parents' home. This movie is an official adaption of Oculus.

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Anjani has not forgotten how her son almost lost his life. Now to protect him, she shelters him in a bid to keep him from harming himself again. She doesn't even allow him to go out of the house. When his father Senapati Kesari returns from war, he is upset to find that his brave son has become a scared little boy. Maruti feels bad that his father isn't proud of him, and prays to God to make him the 'bravest kid in the world'. God answers his prayers and leads Maruti into a series of jungle adventures. His experiences and new friends lead him to metamorphose from a 'Bhola-Bhala Bajrangi' to - Hanuman Da' Damdaar.

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A teacher works hard to better a village that has poverty, unemployment, and a drug problem.