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In the twilight of Imperial Russia, prima ballerina Matilda Kshesinskaya becomes the mistress of three Grand Dukes.

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Dima, died on 23 May 2013, at the age of 21. Enrolled in the Russian army, he is killed by a bullet in the head during a special mission to Dagestan. While his parents confront the void left by his disappearance, those whom he called his brothers, always train for war in difficult conditions that create a powerful bond between them. These two worlds are intertwining. They tell of death and absence.

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Contemporary Russia. After he flubs a penalty kick, a humiliated national soccer player quits the game. He flees to a small town, where he decides to coach their local team.

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Award winning artist and filmmaker Andrew Kotting adapts Hattie Naylor's curriculum, award-winning play, Ivan and the Dogs, for cinema. Based on the extraordinary true story of Ivan Mishukov, who walked out of his Moscow apartment at the age of four and spent two years living on the city streets where he was adopted by a pack of wild dogs. In the recession-ravaged city, the human world is dominated by deprivation and violence. When social breakdown from extremes of impoverishment, cruelty and selfishness starts to set in, a homeless child's only hope is to turn to feral dogs for company, protection and warmth. This spellbinding story of survival and need conjures the streets of Moscow in the 1990s through the eyes of a child. With innocence and fear, Ivan's perceptions of the world are beautifully described, from the acute awareness of hunger and fear, to the innocent understanding of chemical abuse in the 'empty eyes' of children and the ridiculed 'Bombzi.

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Hypnotic and multi-layered, Extinction meditates on the troubled borders of Eastern Europe with a melancholy lyricism. Shot in black-and-white, Salomé Lamas's essay film follows Kolya, a young man who is loyal to Transnistria - a Communist state that broke away from the former Moldavian Soviet Socialist Republic, yet is today unrecognized by the international community.

Mediating between dreamlike echoes of the Soviet past and Kolya's politically-charged encounters in the present, the film slowly builds up an associative, non-linear story of a landscape in which the borders between past and present remain unsettled.