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Filmed over 2 years at UCLH and Addenbrookes Hospital, Child of Mine sensitively follows three couples through their personal journeys of losing a child before birth. The UK has one of the highest rates of stillbirth in the developed world, yet these hidden bereavements are rarely talked about, often leaving parents isolated and alone. Child of Mine brings this tragic topic into the heart of public discourse by shining a light on the hidden crisis of stillbirth in the UK.

In this feature-length documentary, we follow Vicky & Bruce, Kezia & Chris and Fiona & Niall as they prepare for what should be the happiest day of their lives, only to find their dreams shattered and their hopes crushed. The film shows the devastating personal impact a stillbirth can while also highlighting examples of best practice from the hospital teams whose bereavement support is essential in enabling couples to recover and see a future. In two cases there is redemption with a subsequent healthy baby. For one couple there is hope that things will better next time.

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In the vein of Belgian movie 'Man Bites Dog', Split's mockumentary style sees a film crew follow two Hitmen throughout two days of their lives, as they go through a list of targets and day to day routine, that involves dealing with each other's flaws as they endeavor to discuss modern social issues in both a hilarious and controversial fashion. Both men are brothers, who know nothing else but the job. One has anxiety and alcohol issues, who just wants to get out of the business. While the other, is a sociopath who truly loves his job, his aim is to be more inventive and creative with each hit. As we follow these two hitmen, we learn how they do their 'job', we get to know their idiosyncrasies, hypocrisies, and self-delusions. And we meet the different personalities and targets involved in Gangland Ireland. Each situation our hitmen find themselves in gets stranger and each hit more creative until they come to a crossroads and have to decide whether to stay in the game or leave the business for good."

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VS. is an urban rites of passage drama set in the hostile and exciting UK rap battle scene.

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In a small scottish town in 1974, factory workers refuse to carry out repairs on warplane engines in an act of solidarity against the violent military coup in chile. Four years pass before the engines, left to rust in factory yard, mysteriously disappear in the middle of the night.

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Richard Okezie decides to leave Sylvia, his lifelong imaginary friend and lover for Gbemi a flesh-and-blood real woman, but complications arise when Sylvia decides to destroy Richard's peaceful life.