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El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) claims to be God, while dressed as a gunfighter in black, riding a horse through a spiritual, mystical landscape strewn with old Western movie, and ancient Eastern religious symbols. Bandits slaughtered a village on his path, so El Topo avenges the massacred, then forcibly takes their leader's woman Mara as his. El Topo's surreal way is bloody, sexual and self-reflective, musing of his own demons, as he tries to vanquish those he encounters.

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A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introduces him to seven wealthy and powerful people, each representing a planet in the Solar system. These seven, along with the protagonist, the guide and the guide's assistant, divest themselves of their worldly goods and form a group of nine who will seek the Holy Mountain, in order to displace the gods who live there and become immortal.

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The Swirl is a creation documentary on outstanding characters stuck in the most flooded region in Mexico: Esther, the brave mother of three children; and Pedro, her farmer brother. Their lives oscillate between defending their ways of understanding gender identity and their role in the community; and their everyday rural lives that have become increasingly affected by flooding due to climate change. People of water and earth, they will guide us through their reflections and coexistence throughout a year in nature's cycles. Guiding the documentary's cyclic narrative are Esther, whose hand-held camera is integrated into the narrative; and her brother Pedro, who represents the element of change and open-mindedness linked to his sexual identity. We follow them through their personal universes, uncovering their brave way of life and their visions on love, family, education and memory. Above all else, The Swirl is a tribute to the feminine identities that are configuring our.

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Fando and his partially paralyzed lover Lis search for the mythical city of Tar. Based on Jodorowsky's memories of a play by surrealist Fernando Arrabal.

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Two men meet in Barcelona and after spending a day together they realize that they have already met twenty years ago.