In the Eighteenth Century, in a small village in Ireland, Redmond Barry is a young farm boy in love with his cousin Nora Brady. When Nora gets engaged to the British Captain John Quin, Barry challenges him to a duel of pistols. He wins and escapes to Dublin but is robbed on the road. Without an alternative, Barry joins the British Army to fight in the Seven Years War. He deserts and is forced to join the Prussian Army where he saves the life of his captain and becomes his protégé and spy of the Irish gambler Chevalier de Balibari. He helps Chevalier and becomes his associate until he decides to marry the wealthy Lady Lyndon. They move to England and Barry, in his obsession of nobility, dissipates her fortune and makes a dangerous and revengeful enemy.
Fred Beckey is the original American "Dirtbag" climber whose name evokes mystery, adulation and vitriol. Since the 1940s, Beckey has led an obsessive and nomadic quest of first ascents while poetically chronicling the exquisite beauty of nature and mountains in 13 seminal books. This exclusive feature documentary reveals the reclusive 94-year-old Beckey's public and private personas as he continues to inspire generations of climbers around the world.
Taking its title from the expression Longa Noite de Pedra ("long night of stone"), which was coined by the poet Celso E. Ferreiro to describe the lengthy period of dictatorship after the Spanish Civil War, the third feature by Galician filmmaker Eloy Enciso explores the Postguerra mood and the texture of life in Franco-era Spain by way of unconventional portraiture, the power of words, and stunning atmospheric immersion. Working with non-actors and a script sourced from excerpts of plays, memoirs, and letters from political prisoners, Enciso portrays a variety of characters - both victors and vanquished - as they negotiate a newly reordered society. At the film's shifting center is Anxo (Misha Bies Golas), who returns home to his unnamed village in the years following the war, his interactions with individuals wielding varying levels of power serving to cast the cruelty of the modern world into stark relief. As he moves through the town, and eventually into the surrounding arboreal landscape, the already muted mood turns towards the mournful as the film approaches its quietly grand finale. Following in the materialist tradition of Straub-Huillet and Pedro Costa, Enciso continues to explore themes that preoccupied him in his earlier work: the human presence in the landscape (specifically, the forest as a container of popular history), the cultural and geographic specificity of Galicia, the search for musicality in language, and the intertwining of history, fact, and fiction. Proceeding dreamily through its elliptical, day-to-night structure, Longa noite is a nocturne of ferocity and resistance, a strange and stirring indictment of fascism that employs beautifully cryptic methods to combat oblivion.
A Jewish boy is kidnapped and converted to Catholicism in 1858.
Members of the Osage tribe in the United States are murdered under mysterious circumstances in the 1920s, sparking a major FB.I. investigation involving J. Edgar Hoover.