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Ana is an exemplary girl that has been educated in the 'normality' of a middle-class family. She has never been brave enough to break with all the regulations that her well-led life was supposed to be. The appearance of a double that starts living her life and doing all of her obligations, allows Ana to adopt total anonymity for the very first time. This fact becomes something that she understands as the opportunity to choose the life she wants without giving any reason to anybody, as the way to find total freedom and also happiness. Who is this double, where she comes from and why she appears are questions that I am not interested in answering in the film. This is just the starting point that is accepted as the motor that helps Ana to have the courage to fight for her own existence. Ana tries to make her own runaway possible breaking with everything, looking for her own limits, living a life opposed to whatever everybody expected from her.

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Antonio Decoud is a conservative family man who is forced by destiny to face an unexpected situation that shakes him to the core, scrambling up his life and his priorities, pushing him to forget his beliefs and his way of understanding life and follow the most basic instinct: the animal instinct.

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Bécassine, a naive and clumsy farm girl, is hired as a nanny in a bourgeois family.

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A spotlight on Italian maestro Lina Wertmüller, the visionary and groundbreaking Italian writer-director who worked side by side with Federico Fellini and went on to make more than 30 films becoming the first woman ever to receive Academy Award nominations for Best Director, Best Original Screenplay and Best Foreign Film. A career tribute documenting her 50th anniversary in film enriched with interviews from many internationally renowned artists and critics.

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In the middle of Iran-Iraq war, and at the height of Tehran's Bombardment, time goes by fear and fear. but love and affection, life and hope leave the tangible fear of death abandoned in the words of the living death is an absolute question and love is a frequent ambiguity. "Bomb: A Love Story" with a hopeful life not with a absolute darkness of death.