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The film revolves around the life of a child who aspires to be a singer.

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A teacher works hard to better a village that has poverty, unemployment, and a drug problem.

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Four lives intersect along the Ganges: a low caste boy hopelessly in love, a daughter ridden with guilt of a sexual encounter ending in a tragedy, a hapless father with fading morality, and a spirited child yearning for a family, long to escape the moral constructs of a small-town.

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A Death in the Gunj is a coming of age story that centres around Shutu, our protagonist, and his conflicted ideas of masculinity. He finds himself navigating the blurred lines of what is accepted in society and questions his own space within the world. The everyday callousness of the adults around him contributes to his intense feelings of isolation despite being surrounded by his family. The emotional violence that we as a society inflict upon others unwittingly is what cumulatively leads to a kind of destruction that is irrevocable.

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Director Rahul Jain presents an intimate, observantly portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India. Moving through the corridors and bowels of the enormous and disorientating structure, the camera takes the viewer on a journey to a place of dehumanising physical labor and intense hardship, provoking cause for thought about persistent pre-industrial working conditions and the huge divide between first world and developing countries. Since the 1960s the area of Sachin in western India has undergone unprecedented, unregulated industrialisation, exemplified in its numerous textile factories. Machines portraits only one of these factories, while at the same time representing the thousands of labourers working, living and suffering in an environment they can't escape without unity. With strong visual language, memorable images and carefully selected interviews of the workers themselves, Jain tells a story of inequality and oppression, humans and machines.