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With the commercial exploitation of the American colonies, thousands of Africans are brought to Seville to be sold as slaves. Some are exported to the colonies and others stay in the city. The latter form part of a population of Afro-Andalusians, who over time manage to gain space in a society wrought with racial prejudices, whilst dealing with their situation as slaves. Music and dance will be part of their expression and the most important affirmation of their identity. From the outskirts of cities like Seville and Cadiz they give shape to the popular music of the time, together with other marginalised communities such as the gypsies, moors and Andalusians on the cities' peripheries. From the XIX century, the black population begins to disappear, partly being assimilated into parts of the community like that of the gypsies. In this same century we start to hear about a new type of music: Flamenco. Since its beginning theorists who have spoken about this art form have completely forgotten the fundamental contribution the Afro-Andalusians made to it.

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Shot over a six-year period (2009-15) mainly in the industrial heartland of south China, a major hub in the global supply chain, this film follows labour activists as they find common grounds with workers, helping them to negotiate with local officials and factory owners over wages and working conditions.

Threats, attacks, detention and boredom become part of their daily lives as they struggle to strengthen worker solidarity in the face of threats and pressures from police and their employers. In the process, we see in their words and actions the emergence of a nascent working class consciousness and labour movement in China.

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The father/daughter duo of Saint Dr. Gurmeet Ram Rahim Singh Ji Insan and Honeypreet Insan, is back with another movie based on true events.