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A blind man sets out to avenge the murder of his girlfriend.

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A commoner is thrown into a jail cell on suspicion of murder of a local politician. Can he survive the State entrapment, or did he actually do it.

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The story is set in the backdrop of a jail, with music at its core. Walls might muffle them but cages only reverberate them louder. Situated deep in the heartland of India, within the by-lanes of Lucknow is story of a man who had something to say. Or should we say sing.

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Director Rahul Jain presents an intimate, observantly portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India. Moving through the corridors and bowels of the enormous and disorientating structure, the camera takes the viewer on a journey to a place of dehumanising physical labor and intense hardship, provoking cause for thought about persistent pre-industrial working conditions and the huge divide between first world and developing countries. Since the 1960s the area of Sachin in western India has undergone unprecedented, unregulated industrialisation, exemplified in its numerous textile factories. Machines portraits only one of these factories, while at the same time representing the thousands of labourers working, living and suffering in an environment they can't escape without unity. With strong visual language, memorable images and carefully selected interviews of the workers themselves, Jain tells a story of inequality and oppression, humans and machines.

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Four lives intersect along the Ganges: a low caste boy hopelessly in love, a daughter ridden with guilt of a sexual encounter ending in a tragedy, a hapless father with fading morality, and a spirited child yearning for a family, long to escape the moral constructs of a small-town.