Yula is a beautiful 10-year-old girl who lives in the shadow of the abundance of Moscow-in Europe's largest junkyard called the Svalka. Situated 13 miles from the Kremlin, just on the outskirts of Putin's big showcase of a city, the Svalka is a huge mountain of trash, 17 stories high and stretching for over 2 miles. It is a fenced, walled-in area, heavily guarded by security to keep intruders out. No trespassing and no filming is allowed here, where inside the dump's walls, criminal activity is unchecked. When one enters the Svalka, he becomes a slave employed by the mafia who run the dump's illegal recycling centers. Vodka is a currency here. For most of the people who enter the Svalka, this is their last stop before death, especially when the cold Russian winter storms sweep across this mountain of waste. Although life is grim and dismal for the Svalka's inhabitants, it also brings out the best in people. They generously share their vodka and last breadcrumbs with each other and.
In an effort to determine their sustainability as a food source, two chefs travel throughout the world tasting insects.
Over a period of 6 years award winning director Max Kester follows two best friends and top engineers as they follow their dream to build a "DIY" rocket to travel into space. If they succeed, Denmark will be only the fourth nation in history to launch people beyond the Earth's atmosphere. Against their families odd's and technical challenges they build the cheapest rocket.
Hunting for Hedonia explores how the burgeoning technology of Deep Brain Stimulation (DBS) will impact human identity and our sense of self. DBS is a revolutionary tool in neuroscience and as a treatment it is crossing over from movement control in Parkinson's to alleviating mental illness. Trials are underway in depression, OCD, PTSD and eating disorders. In addition, DBS has a fascinating forgotten history. In 1950, psychiatrist Robert Heath was the first to implant electrodes deep in the brain of a human and in the ensuing years he treated more than 70 patients in his deep brain stimulation program at Tulane University. Heath wanted to cure schizophrenia, but expanded his method to be used to treat depression, chronic pain and even aggression. His method was to stimulate the brain's pleasure as he explored pleasure as part of the psychological healing process. But his focus on pleasure got him in trouble and erased him from scientific memory.
Director Feras Fayyad returns to his native, Wartorn Syria to follow a dedicated team of female doctors who tirelessly treat casualties in an underground hospital while battling systemic sexism. Shot from 2016 to 2018, The Cave belongs to the top rank of war films. Syrian director Feras Fayyad takes us to a subterranean landscape that feels akin to the post-apocalyptic world of Mad Max (1979). With life too dangerous above ground, survivors create a network of secret tunnels under the city of Ghouta, near Damascus, for an underground hospital maintained by women doctors. In contrast to the many Syrian documentaries made from cellphone footage or shaky cameras, Feras Fayyad takes great care to visualize the landscape and its memorable occupants with artful cinematography. For anyone who feels jaded by Syria coverage, this work stands apart. The heart of the film is Dr. Amani, a young Syrian woman operating in unimaginable conditions with great humor and fortitude. When not tending to.